“The Star Wars Heresies” by Paul F. McDonald

Anakin as baby Jesus? (Star Wars Heresies)
Anakin as baby Jesus?

Like many Star Wars fans, I used to dislike the Prequel Trilogy. Unlike most of those fans, I’ve read The Star Wars Heresies.

The Original Trilogy rightly receives considerable praise for the ways in which it echoes Campbellian “hero’s journey” and other mythological themes. Paul F. McDonald, librarian and consummate Star Wars fan, applies the same thoughtful analysis to The Phantom Menace, Attack of the Clones, and Revenge of the Sith. While I was aware of some of the parallels between the Prequels and real-world mythology, this book showed me that I had barely scratched the surface. Continue reading ““The Star Wars Heresies” by Paul F. McDonald”

“The Rise of Skywalker” & Redemption

MV5BMDljNTQ5ODItZmQwMy00M2ExLTljOTQtZTVjNGE2NTg0NGIxXkEyXkFqcGdeQXVyODkzNTgxMDg@._V1_I recently saw The Rise of Skywalker (TROS) for a second time and enjoyed the movie more than I did during my first viewing. All of the issues I raised in my review – such as the convoluted plot and pacing – still drag the movie down, but I also found myself better able to enjoy the spectacle. Unfortunately, I also became more frustrated with the resolution of Ben Solo’s arc and how it treated the theme of redemption. This is especially disappointing because I credit Return of the Jedi (ROTJ) with shaping a lot of my early thinking about redemption. As a child, seeing Anakin Skywalker ask for forgiveness made me realize that all people – even those who commit acts of evil – have the potential for good. 

WARNING: Major SPOILERS for TROS Ahead! Continue reading ““The Rise of Skywalker” & Redemption”

Game of Thrones: The Final Review

gameofthronesseason8posterGame of Thrones has ended. There will be no more episodes. It would have been impossible for the writers to wrap up every single plot thread in Season 8, especially because this past season had fewer episodes (6 instead of usual 10). The final episode, “The Iron Throne,” did manage to provide a sense of closure for most of the character arcs and had some incredible visual moments. However, in its rush to the end, the final episode lost sight of some of the political commentary and themes that made Game of Thrones so compelling in the first place. The raison d’être for this story is question “what makes for a good king?” The finale barely engaged with that question, which is a missed opportunity.

*** SPOILERS for Season 8 of Game of Thrones BELOW *** Continue reading “Game of Thrones: The Final Review”

“Miyazakiworld” by Susan Napier

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A few years ago, I discovered Studio Ghibli and fell in love with Japanese anime. I’m particularly fond of Ghibli founder Hayao Miyazaki’s ability to use animation to tell stories that are emotionally moving, visually stunning, and intellectually stimulating. Miyazaki’s films combine whimsical settings, strong female protagonists, and unconventional plots. I’m still new to this brave new world of anime, so I was excited to find Japanese culture expert Susan Napier’s latest book to help me make sense of Miyazaki’s oeuvre. Continue reading ““Miyazakiworld” by Susan Napier”

The “Alien” Female

615Jt--UndL._SL1024_On May 3, I’ll be joining the Mythgard Movie Club to talk about Ridley Scott’s classic sci-fi movie Alien. Here I share my thoughts on what the film means to me, especially when it comes to gender representation in cinema…

During the past few years, female fans have become increasingly vocal in their disappointment over the lack of female protagonists in science fiction and fantasy. To be honest, I initially found this somewhat puzzling – not because I didn’t want female action heroes, but because I thought we already had them. When I was growing up, the biggest pop culture franchises featured characters like Princess Leia and Sarah Connor, while Dana Scully, Xena, and Buffy dominated on the small screen. My favorite sci-fi action hero was (and still is) Ellen Ripley.  Continue reading “The “Alien” Female”

The Last Jedi and Me

luke-last-jedi-posterIn the weeks since I shared my first impressions of Star Wars: The Last Jedi, Episode VIII has become the most divisive film in the Star Wars canon. Professional reviewers, who tend to prioritize the acting and themes in a film, have overwhelmingly praised the way director Rian Johnson deconstructs Star Wars tropes and subverts expectations. By contrast, fans, who often care more about the characters and story continuity, have been much more mixed in their response. Some love that the film takes the franchise in new directions, while others complain about the self-aware humor and the slow middle act. The Last Jedi has become a sort of Star Wars Rorschach test in that each viewer’s response says as much about that person’s relationship with Star Wars as it does about the film. Continue reading “The Last Jedi and Me”

“Game of Thrones and the Medieval Art of War” by Ken Mondschein

52239536Like Tolkien’s Lord of the Rings mythology, George R.R. Martin’s Game of Thrones is set in a world that looks like – and is clearly inspired by – our Middle Ages, but isn’t actually set in Europe between the fall of Rome and the Renaissance. Instead, Game of Thrones takes place in a fantastical world in which winters last a generation and magic is real. However, given the similarities between our Westeros and Medieval Europe, it’s natural to wonder how much Game of Thrones accurately reflects our own history. In Game of Thrones and the Medieval Art of War, Ken Mondschein, an expert on medieval warfare, looks at how Martin’s books – and, to a lesser extent, HBO’s adaptation – depict medieval warfare. Continue reading ““Game of Thrones and the Medieval Art of War” by Ken Mondschein”