Feelings of loneliness had been increasing in much of the Western world even before COVID-19. As our societies have become richer and more urbanized, community institutions and social trust have broken down. Several years ago, the United Kingdom released a cross-government strategy to address loneliness. The U.S Health and Human Services Department refers to loneliness as an “epidemic” in American society.
After listening to the latest Shoulder of Orion podcast episode, I started to think about this problem through the lens of Blade Runner, one of my favorite films. The original Blade Runner is one of the most poignant meditations about loneliness I’ve ever experienced. Rick Deckard technically is not alone for much of the film. He regularly communicates and interacts with other characters. Yet, he is emotionally disconnected from the rest of the world. He begins the film eating alone at a sushi bar. Gaff and the Los Angeles Police Department only want him because he’s useful for a job. He doesn’t have an emotionally fulfilled life.
Deckard had shut himself off from his emotions – probably a necessity for his line of work. He comes across as cold and dismissive. When Rachel confronts him about the results of the Voight-Kampff test, Deckard does not even try to comfort her – at this point, she is a job, not a person. Over the course of the film, Deckard reconnects with that human sense of empathy. He allows himself to be emotionally shaken by Zhora’s death. He learns to care for and love Rachel. He recognizes the humanity in Roy. By the end of the film, Deckard is no longer alone. He is not free from danger and runs away from his home but he is with Rachel (the events of Blade Runner 2049 are another matter).