I’ve talked about David Lynch’s Dune movie and the Sci-Fi Channel’s Dune miniseries, but the most ambitious Dune adaptation never made it off the page. Jodorowsky’s Dune chronicles Chilean director Alejandro Jodorowsky’s attempt to bring Dune to the big screen during the 1970s. He failed, but, as the documentary argues, that failure had an enormous on science fiction in cinema. It’s certainly a fascinating look at what might have been, even if I’m not convinced a Jodorowsky Dune would have been faithful to the novel. Continue reading ““Jodorowsky’s Dune””
I enjoyed the Sci-Fi Channel’s Dune miniseries, but was also frustrated by its weak acting and special effects. Fortunately, the Sci-Fi Channel’s Children of Dune miniseries improves upon its predecessor in every way. It manages to provide an effective distillation of Frank Herbert’s Dune Messiah and Children of Dune.
Last week, I made clear my opinion of David Lynch’s Dune. That remains the only version of Dune ever released in theaters. However, in 2000, the Sci-Fi Channel released a TV miniseries adaptation of Dune. Fortunately, it’s not bad. The screenplay actually resembles Frank Herbert’s novel and manages to balance political intrigue with action. The show’s problems are mostly technical, particularly the acting and special effects.
I admit I’m not a fan David Lynch’s adaptation of Dune. I have many problems with the film, but the biggest is that it completely misses the point of the novel. Dune is not a hero’s journey. It’s not simply a grimdark Star Wars. Rather, it’s a story about the dangers of charismatic leadership and the interplay between political and religious power. In the movie, we don’t get to her Paul’s internal struggle, much less any hint that his jihad might have negative repercussions for the future. Indeed, in the final scene from the film, rain pours down as if to bless Paul’s victory. Continue reading ““Dune” (1984 film)”
Dune… Frank Herbert’s epic space opera is one of my favorite works of fiction. This summer, I’ll be rereading the saga as I do research for a paper I’m writing about the politics in Dune. I plan to present the paper in late June at the Mythgard Academy’s Mythmoot V conference. If you’ve never read these books or it’s been a while, feel free to join me in this reread.
The Spice must flow!
On May 3, I’ll be joining the Mythgard Movie Club to talk about Ridley Scott’s classic sci-fi movie Alien. Here I share my thoughts on what the film means to me, especially when it comes to gender representation in cinema…
During the past few years, female fans have become increasingly vocal in their disappointment over the lack of female protagonists in science fiction and fantasy. To be honest, I initially found this somewhat puzzling – not because I didn’t want female action heroes, but because I thought we already had them. When I was growing up, the biggest pop culture franchises featured characters like Princess Leia and Sarah Connor, while Dana Scully, Xena, and Buffy dominated on the small screen. My favorite sci-fi action hero was (and still is) Ellen Ripley. Continue reading “The “Alien” Female”
Guillermo del Toro’s The Shape of Water is the first science fiction film ever to win an Oscar for Best Picture. This alone makes it worthy of a place in the annals of sci-fi. It’s also a great example of what makes del Toro such a fascinating filmmaker and storyteller. Like many geniuses, del Toro has an ability to look at the ordinary and see something extraordinary. His films often take familiar story tropes and make them feel fresh again. In The Shape of Water, Elisa (Sally Hawkins), a janitor at a government lab in Baltimore, falls in love with a humanoid fish-creature (Doug Jones). In one sense, this is simply a twist on the classic “odd-couple romance” story, like Beauty & the Beast or The Frog Prince. However, del Toro does several things to make the story feel completely unlike anything that’s come before. Continue reading ““The Shape of Water””
I had the honor of joining the Mythgard Movie Club last week to talk about The Last Jedi. It was honestly one of the better discussions I’ve heard about the film. Whereas most of the discussion has been dominated by the polarized reaction to certain scenes, we tried to focus on understanding the themes in this film.
You can listen to the audio-only version here or watch the video below:
In the weeks since I shared my first impressions of Star Wars: The Last Jedi, Episode VIII has become the most divisive film in the Star Wars canon. Professional reviewers, who tend to prioritize the acting and themes in a film, have overwhelmingly praised the way director Rian Johnson deconstructs Star Wars tropes and subverts expectations. By contrast, fans, who often care more about the characters and story continuity, have been much more mixed in their response. Some love that the film takes the franchise in new directions, while others complain about the self-aware humor and the slow middle act. The Last Jedi has become a sort of Star Wars Rorschach test in that each viewer’s response says as much about that person’s relationship with Star Wars as it does about the film. Continue reading “The Last Jedi and Me”