Relay, a new science fiction comic series from Aftershock Comics, is both refreshingly original and frustratingly opaque. The story is set far in the future. In accord with the dominant religion, humans invite a giant device known as a “relay” onto each planet they have colonized. The relays guide human evolution, speeding up the process of civilization, but also impose uniformity. The main character, Jad, begins as a true believer, but ultimately starts to wonder about the true purpose of the relays. Continue reading ““Relay” comic”
I am writing an article about Star Wars Expanded Universe references in the animated TV shows for an upcoming book, and so decided to reread Christie Golden’s Dark Disciple. This book is a fascinating case study in transmedia storytelling and adaptation. Dark Disciple is based on scripts written by Katie Lucas for The Clone Wars animated show before it was canceled in 2013. However, the seeds of the story originated in the Dark Horse Comics Republic line, which was part of the Clone Wars multimedia project in the early 2000s. The book both draws upon and contradicts the comics in interesting ways. Continue reading ““Star Wars: Dark Disciple” by Christie Golden”
It’s ages since we’ve had a compelling story set during the Prequel Trilogy. As Disney and Lucasfilm have focused on the Sequels and nostalgia for the Original Trilogy, it’s sometimes felt like the Prequels had been left by the wayside. Claudia Gray’s Master & Apprentice captures much of what made me fall in love with this era of Star Wars saga 20 years ago this month (hint: it’s not the acting). Gray is easily the strongest writers currently working in the Star Wars canon. She manages to imbue Qui-Gon Jinn and Obi-Wan Kenobi with a depth only hinted at in The Phantom Menace.
*** Mild Spoilers below *** Continue reading ““Star Wars: Master & Apprentice” by Claudia Gray”
Tonight, I’ll be joining the Mythgard Movie Club podcast to talk about Blade Runner 2049, one of my new favorite movies. Back in January, we had a roundtable discussion about Blade Runner (you can find it here), and even though I’ve read books about the original Blade Runner and listen to the Shoulder of Orion Blade Runner podcast, I still gained new insights and appreciation for that film. Looking forward to our discussion tonight. You can watch it live (here) or download the podcast episode here later this month.
For a while, I’ve felt that, when it comes to politics, science world-building has been stuck in the past, fixated on stories about galactic empires or rebellions against totalitarian regimes. Governments in science fiction almost never resembles the messy democracies of our world. By contrast, in Malka Older’s Infomocracy, the protagonists are political operatives and central threat is a conspiracy to manipulate an election. This is perhaps the first science fiction story I’ve read that takes electoral institutions seriously and makes them central to the story (not surprisingly, Older is a political scientist). Continue reading ““Infomocracy” by Malka Older”
In theory, The Fall of Hyperion is the sequel to Dan Simmons’ Hyperion (reviewed here). However, it feels like it comes from a different franchise. Fans of Hyperion expecting to learn more about the six pilgrims will find themselves disappointed. If anything, Fall of Hyperion draws more from the frame narrative of Hyperion than the short stories.
Fall of Hyperion focuses less on character and more on plot. We spend relatively little time with the pilgrims and more time with Hegemony CEO Meina Gladstone and her war council. As hinted in the end of Hyperion, war has broken out between the Hegemony and Ousters, and as well as an Artificial Intelligence construct. Continue reading ““The Fall of Hyperion” by Dan Simmons”
Hyperion by Dan Simmons is an example of a book I don’t enjoy but that I respect immensely. Hyperion is a work of art. It is regularly ranked amongst the top 10 science fiction books of all time. Simmons employs an innovative narrative structure that serves to create a sense of dread. Despite Simmons’ skills as a storyteller, I found Hyperion a difficult story to read.
The book starts off 700 years in the future. Seven pilgrims – a captain, a priest, a soldier, a poet, a scholar, a detective, and a diplomat – travel to the planet Hyperion to visit the Shrike, a mysterious, murderous, quasi-religious figure. While en route, they agree to tell each other their backstories and their reasons for wanting to visit the Shrike (à la Chaucer’s Canterbury Tales). The book then proceeds like a collection of short stories, one for each pilgrim.
For me, the film version Contact is still the gold standard for intelligent science fiction in cinema. After having read Carl Sagan’s Contact, I realize that the movie benefitted from exceptionally strong source material. Sagan manages to explore Big Ideas™, but also develops compelling characters. In addition to being a talented scientist, Sagan could write better than most professional science fiction authors.
Of the “Big Three” authors who dominated the Golden Age of science fiction, I’ve always felt I had the weakest grasp on Arthur C. Clarke. Isaac Asimov’s oeuvre is easy to summarize: technological optimism and robots. Robert A. Heinlein tended to infuse his works with libertarian politics and nonconformists. As for Clarke? I’ve read several of his most famous novels and short stories, but always struggled to identify common themes. Clarke seems to veer wildly between hard-nosed science and wild-eyed mysticism. Childhood’s End features humans who gain almost godlike psychic powers, while Rendevouz with Rama tells the story of a scientific exploration to a mysterious alien object. Hal 9000 in 2001: A Space Odyssey seems like a warning against A.I., yet Clarke was hardly anti-science – most of Clarke’s protagonists are scientists. Continue reading ““Arthur C. Clarke” by Gary Westfahl”
There have been countless in science fiction using advances in cloning technology to ask questions about human identity. Science fiction has also used different forms of humanoids or aliens to explore race and racial identity. Upgrade Soul merges these two with a unique take on this subgenere of science fiction. The author, Ezra Claytan Daniels, won the Dwayne McDuffie Award for diverse representation in the comics medium. Continue reading ““Upgrade Soul” by Ezra Claytan Daniels”