Star Trek Discovery

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As some of you know, I’m a huge Star Trek fan. It was probably my first big fandom. So you might be wondering why I haven’t been reviewing Star Trek Discovery. Well, the truth is I’ve found the show to be an disappointing mess. It flouts the liberal humanism and optimistic spirit of Star Trek in favor of modern TV grimdark conventions. The show is filled with plot twists that seem more designed to shock audiences than to open interesting new story possibilities. Frankly, I don’t really have much to say that hasn’t already been said about this show. This LA Times Review of Books explains many of the problems.

Like many Trek fans, I’ve waited years for Star Trek to return to TV. It’s too bad the end product wasn’t worth the wait.

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“You Win or You Die: The Ancient World of Game of Thrones” by Ayelet Haimson Lushkov

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Season 7 of HBO’s Game of Thrones just wrapped up, but the speculation and commentary still rages on. A few weeks ago, I reviewed a book about medieval warfare in Game of Thrones. This time, I take a look at You Win or You Die: The Ancient World of Game of Thrones by Ayelet Haimson Lushkov, Associate Professor of Classics at the University of Texas at Austin. This book analyzes Game of Thrones from the perspective of Greco-Roman literature, showing how ancient epics from our own world can help us better understand Westeros.

Continue reading ““You Win or You Die: The Ancient World of Game of Thrones” by Ayelet Haimson Lushkov”

“Game of Thrones and the Medieval Art of War” by Ken Mondschein

52239536Like Tolkien’s Lord of the Rings mythology, George R.R. Martin’s Game of Thrones is set in a world that looks like – and is clearly inspired by – our Middle Ages, but isn’t actually set in Europe between the fall of Rome and the Renaissance. Instead, Game of Thrones takes place in a fantastical world in which winters last a generation and magic is real. However, given the similarities between our Westeros and Medieval Europe, it’s natural to wonder how much Game of Thrones accurately reflects our own history. In Game of Thrones and the Medieval Art of War, Ken Mondschein, an expert on medieval warfare, looks at how Martin’s books – and, to a lesser extent, HBO’s adaptation – depict medieval warfare. Continue reading ““Game of Thrones and the Medieval Art of War” by Ken Mondschein”

Game of Thrones, “The Winds of Winter” (Season 6, Episode 10)

game-of-thrones-season-6-premiere-date-jon-snowWith only 13 episodes left for the show, Game of Thrones needed to wrap a lot of subplots in order to have enough time to deal with the impending White Walker invasion. “The Winds of Winter” did that, and then some. The episode killed off most supporting characters in a few dramatic scenes. As I’ve argued elsewhere, this downsizing was absolutely necessary. Game of Thrones had gotten too unwieldy; Season 5 seemed so intent on tracking the various subplots that it forgot to tell a story. “The Winds of Winter” violently confirmed that, at its core, Game of Thrones is, has been, and always will be about the three primary factions we met back in Season 1: the Starks, Lannisters, and Targaryens. Continue reading “Game of Thrones, “The Winds of Winter” (Season 6, Episode 10)”

Game of Thrones, “Battle of the Bastards” (Season 6, Episode 9)

game-of-thrones-season-6-premiere-date-jon-snowGame of Thrones has become infamous for its unpredictability. Beheading Ned Stark in Season 1 shocked viewers because it defied everything we thought we knew about fantasy stories (namely, that the hero always wins). Over the past season, the plot of Game of Thrones has become increasingly predictable; the show is no longer willing or able to subvert audience expectations (Hodor’s death in “The Door” being a major exception). Instead, how the characters respond to predictable plot developments has become less predictable. This is what makes “Battle of the Bastards” so effective. The plot is about as straightforward as Game of Thrones gets, yet the episode contains moments that subvert what we knew – or thought we knew – about these characters. Continue reading “Game of Thrones, “Battle of the Bastards” (Season 6, Episode 9)”

Game of Thrones, “No One” (Season 6, Episode 8)

game-of-thrones-season-6-premiere-date-jon-snowSeason 6 of Game of Thrones has been an improvement over the previous season in all ways but one: Meereen. To be fair, Meereen is far from becoming the new Dorne, but the plot thread isn’t quite working as effectively as I’d hoped. Tyrion’s time in Meereen had the potential to be a fascinating story about political compromise, but the writers seem unsure how to adapt such a story to the show’s format.

At the end of Season 5, the Sons of the Harpy forced Daenerys to flee Meereen. It seemed like a firm rejection of Daenerys’ heavy-handed reliance on military force to impose a social and political revolution. Daenerys abolished slavery overnight and left many dispossessed elites bitter and angry. She proved unable to govern effectively without the support – or at least acquiescence – of those elites. Continue reading “Game of Thrones, “No One” (Season 6, Episode 8)”

Game of Thrones, “The Broken Man” (Season 6, Episode 7)

game-of-thrones-season-6-premiere-date-jon-snowBefore Season 6 aired, I talked with friends about my predictions for the story.  As Game of Thrones fans are wont to do, I focused on who would die and which characters might return after a long hiatus. I thought my friend’s prediction that Sandor Clegane (a.k.a., “The Hound”) would return was absolutely inane. As much as I’d enjoyed the Hound-Arya buddy comedy in Season 4, I wasn’t sad to see the character go because I thought he’d already had a satisfying arc. Moreover, Arya left him at the bottom of a cliff after he’d suffered fatal wounds in a battle against Brienne. Surely, he was dead. Continue reading “Game of Thrones, “The Broken Man” (Season 6, Episode 7)”

Game of Thrones: “Blood of My Blood” (S6, E6)

game-of-thrones-season-6-premiere-date-jon-snowFor fans of George R.R. Martin’s novels, the biggest revelation in “Blood of My Blood” concerns the identity of a certain “Coldhands.” In the books, the mysterious Coldhands helps Bran and Meera reach the cave of the thee-eyed raven. His identity was never revealed, but fans had long speculated that it was Bran’s uncle Benjen, who in the first book (Season 1 of the show) had disappeared north of the Wall.

SPOILER WARNING for Season 6, Episode 6: “Blood of My Blood”

Continue reading “Game of Thrones: “Blood of My Blood” (S6, E6)”

Game of Thrones: “The Door” (S6, E5)

game-of-thrones-season-6-premiere-date-jon-snowIt seems like the general consensus is that “The Door” is not only the best episode of Season 6 so far, but also the best episode of Game of Thrones since last year’s “Hardhome.” There’s a lot to like, from the earth-shattering revelation about the White Walkers to the wonderful skit in Braavos that reenacted Season 1. It also helped that the episode didn’t waste time with Ramsay Bolton or Dorne. Yet, I think one reason the episode worked so well is that we didn’t expect the big revelation about Hodor. Continue reading “Game of Thrones: “The Door” (S6, E5)”

Game of Thrones: “Book of the Stranger” (S6, E4)

game-of-thrones-season-6-premiere-date-jon-snowMost fans will remember “Book of the Stranger” for its finale. Daenerys Targaryen’s fiery coup over the Dothraki leadership certainly marks a turning point for the story. For me, this was the episode when I realized the potential of Sansa Stark.

I admit that I hadn’t been a fan of Sansa Stark. During the first season, she came across as a petulant brat who was willfully blind to Joffrey Lannister’s flaws. During the second and third seasons, I sympathized with her suffering, but didn’t find her to be a particularly interesting character. She had become a passive victim, little more than the object of Joffrey’s abuse. She seemed resigned to her fate. The contrast with Margaery is telling. Rather than put up with Joffrey’s abuse, Margaery learned how to manipulate him (something Sansa never did). Continue reading “Game of Thrones: “Book of the Stranger” (S6, E4)”