Once again, I’ll be joining the Mythgard Movie Club to talk about Star Wars. This time, we’re going to review Solo: A Star Wars Story. Join us at 8:30 pm EST tonight or catch us later through the podcast feed. You can check it out here.
As a kid, I always saw myself as Luke Skywalker, but I always wanted to be Han Solo. As I wrote when The Last Jedicame out, I identified with Luke’s awkwardness and compassion, but envied Han’s charm and natural skill. It wasn’t until later that I began to appreciate the complexities in Han’s character arc. Han Solo isn’t simply a walking bundle of swagger. Over the course of the Original Trilogy, the character overcame his insecurities and learned to trust people. In many ways, Solo: A Star Wars Story, the latest Star Wars film from Disney and Lucasfilm, builds upon this and enriches the character arc. However, in attempting to provide a backstory for Solo, it also removes some of the mystery and possibly smoothens the character’s rougher edges.
Continue reading “Solo: A Star Wars Story”
Jason Fry’s novelization of The Last Jedi is a retelling of Rian Johnson’s film, with a greater emphasis on the characters and less humor. Like most novelizations, the book sticks pretty close to the story we saw on screen back in December. However, Fry gets to spend time inside the characters’ heads, shedding light on how the characters viewed certain events.
This technique provides quite a bit of insight into Luke Skywalker. In The Last Jedi, Luke is a bitter old man, a far cry from the optimistic youth we saw in the Original Trilogy. I enjoyed this take on the character, but also felt the film should have done more to explain Luke’s arc between the films. Fry’s novelization offers a few tantalizing hints. One early sequence in the book hints that Luke yearns for a more normal life. He comes to regret not only his infamous encounter with Ben Solo, but also other life decisions. Seeing Luke doubt not just that one moment but a whole lifetime helps explain his radical transformation since Return of the Jedi. Continue reading ““The Last Jedi” by Jason Fry”
I had the honor of joining the Mythgard Movie Club last week to talk about The Last Jedi. It was honestly one of the better discussions I’ve heard about the film. Whereas most of the discussion has been dominated by the polarized reaction to certain scenes, we tried to focus on understanding the themes in this film.
You can listen to the audio-only version here or watch the video below:
In the weeks since I shared my first impressions of Star Wars: The Last Jedi, Episode VIII has become the most divisive film in the Star Wars canon. Professional reviewers, who tend to prioritize the acting and themes in a film, have overwhelmingly praised the way director Rian Johnson deconstructs Star Wars tropes and subverts expectations. By contrast, fans, who often care more about the characters and story continuity, have been much more mixed in their response. Some love that the film takes the franchise in new directions, while others complain about the self-aware humor and the slow middle act. The Last Jedi has become a sort of Star Wars Rorschach test in that each viewer’s response says as much about that person’s relationship with Star Wars as it does about the film. Continue reading “The Last Jedi and Me”
One of my biggest critiques of Star Wars: The Force Awakens was that it relied too much on nostalgia. At times, it seemed like a soft reboot of A New Hope. Naturally, this led me to worry that Disney was too reluctant, too concerned with profits to take risks with the franchise. When promotional images for The Last Jedi included vehicles that looked suspiciously like AT-AT walkers, I worried that Director Rian Johnson’s new Star Wars film would again play it safe by retreading the plot of The Empire Strikes Back.
I was wrong. I am glad. Continue reading “First Impressions of The Last Jedi through other Sci-Fi”
Star Wars fans who never read the Expanded Universe novels might not recognize Grand Admiral Thrawn, but he’s become one of the most popular characters in the franchise. Thrawn initially appeared in Timothy Zahn’s Heir to the Empire trilogy, which was in the early 1990s as the official sequel to the Original Trilogy. For the first time, we learned what happened to Luke, Leia, and Han after Return of the Jedi. With Vader and the Emperor dead, Thrawn took lead the remnants of the Empire against the New Republic government. Thrawn was a new type of Star Wars villain, a mix of Sherlock Holmes and Erwin Rommel who used brilliant military tactics to defeat his opponents. Moreover, he was an alien who rose through the ranks of the xenophobic Empire. Continue reading ““Star Wars: Thrawn” by Timothy Zahn”
I read Brian Jay Jones’ biography of Jim Henson when it first came out and found myself captivated. Jones conveyed Henson’s passion for his work and his joie de vivre. When I saw that Jones had written a book about George Lucas, I was cautiously optimistic. I was interested to see what somebody with Jones’ talent could do with one of the most influential filmmakers in history. On the other hand, I wondered if the world really needed another biography of George Lucas. Continue reading ““George Lucas” by Brian Jay Jones”
When news broke in 2012 that Disney had purchased Lucasfilm, some fans worried that Disney would “Disneyfy” the Star Wars franchise by making it too kid-friendly. After all, despite George Lucas’ protestations that Star Wars was made for kids, the original six had some very dark moments. Lucas even consulted a psychologist to make sure the big revelation in “The Empire Strikes Back” would not scar young children (the psychologist concluded most kids simply wouldn’t believe that Vader was Luke’s father). Would Disney dare to tell a story with shades of gray and dark undertones? Continue reading ““Rogue One: A Star Wars Story””
Originally published on Legendarium Media…
Ever since Disney announced Rogue One: A Star Wars Story last March, fans haven’t seemed sure what to expect of the film. All seven previous Star Wars films focused on the Skywalker family saga. However, Rogue One, directed by Gareth Edwards and starring Felicity Jones, has been advertised as something different. It’s the story about the Rebellion’s attempts to steal the Death Star plans before A New Hope. No Skywalkers or Jedi are expected to appear in the film (with the possible exception of Darth Vader). How would fans react to a Star Wars film lacking many of the elements that made the franchise what it is in the first place? Continue reading “Rogue One: A Star Wars Story Teaser Trailer First Reactions”